{"id":1911,"date":"2024-07-18T19:00:08","date_gmt":"2024-07-18T17:00:08","guid":{"rendered":"https:\/\/the-smooth.space\/blog\/?p=1911"},"modified":"2025-01-13T13:13:45","modified_gmt":"2025-01-13T12:13:45","slug":"revelations-offenbarungen","status":"publish","type":"post","link":"https:\/\/the-smooth.space\/blog\/revelations-offenbarungen\/","title":{"rendered":"R\u00e9v\u00e9lations @ Kunstzentrum Wachsfabrik"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png\" alt=\"\" class=\"wp-image-1913\" srcset=\"https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png 500w, https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--300x300.png 300w, https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--150x150.png 150w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>In <em><a href=\"https:\/\/rausgegangen.de\/en\/events\/revelations-offenbarungen-choreografisches-konzert-fur-lauts-0\/\">R\u00e9v\u00e9lations<\/a><\/em> [Offenbarungen] kreieren Marie-Louise Wundling (Cello), Hanne Pilgrim (Choreografie und Tanz) und Moritz Wesp (Elektronik und Posaune) einen audio-korporalen Raum. Dieser spannt einen Bogen zwischen Ligetis <em>Sonate f\u00fcr Violoncello solo<\/em> (1948) zu seinen in den K\u00f6lner Studios f\u00fcr elektronische Musik entstandenen elektronischen Kompositionen <em>Glissandi<\/em> (1957) und <em>Artikulation for Tape<\/em> (1958). Ligetis Werke sind dabei in verschiedene Raumfigurationen eingebettet. Sie erklingen in einer dynamisch-beweglichen Anordnung zwischen der Cellistin, der T\u00e4nzerin, die Ligetis Musik mit ihrem K\u00f6rper interpretiert, den Stimmen beider Protagonistinnen, den Lautsprechern und dem Publikum. Der Raum zwischen den Performenden und den Lautsprechern entsteht aus Gesten des Dialogs. Dialog, in <em><a href=\"https:\/\/rausgegangen.de\/en\/events\/revelations-offenbarungen-choreografisches-konzert-fur-lauts-0\/\">R\u00e9v\u00e9lations<\/a><\/em> verstanden als ein \u201ezwischen den Worten sein\u201c, wird von Ligeti auch in der Vortragsbezeichnung des ersten Satzes der Cellosonate angesprochen. Der Tanz \/ die Bewegung als animierte Plastik spiegelt die Musik im Raum, gibt ihr eine kinetische Energie und eine k\u00f6rperliche Pr\u00e4senz: Schw\u00fcnge, Drehungen, Raumwege, Handgesten, Atemmuster, Artikulationen, Reibungen, Konsonanzen, Stille.<br><\/p>\n\n\n\n<p>Die Lautsprecher als klangerzeugende K\u00f6rper, von uns Objets Sonors Vivants genannt, nehmen den Raum auf ihre Weise ein. Sie treten in Verbindung mit den Performerinnen, interagieren mit ihren Kinesph\u00e4ren und jenen des Publikums.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Where:<\/strong> <a href=\"https:\/\/kunstzentrum-wachsfabrik.de\/veranstaltungskalender\" data-type=\"link\" data-id=\"https:\/\/www.humboldtforum.org\/de\/programm\/termin\/konzert\/mit-pauken-und-palaesten-122077\/\">Kunstzentrum Wachsfabrik<\/a><\/p>\n\n\n\n<p><strong>When:<\/strong> 2024-07-18<\/p>\n\n\n\n<p><strong>Who:<\/strong> <a href=\"https:\/\/the-smooth.space\/blog\/?cat=29#hanne\">Hanne Pilgrim<\/a>, <a href=\"https:\/\/marielouisewundling.de\/en\/\">Marie-Louise Wundling<\/a>, <a href=\"https:\/\/moritzwesp.com\/\">Moritz Wesp<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In R\u00e9v\u00e9lations [Offenbarungen] kreieren Marie-Louise Wundling (Cello), Hanne Pilgrim (Choreografie und Tanz) und Moritz Wesp (Elektronik und Posaune) einen audio-korporalen Raum. Dieser spannt einen Bogen zwischen Ligetis Sonate f\u00fcr Violoncello solo (1948) zu seinen in den K\u00f6lner Studios f\u00fcr elektronische Musik entstandenen elektronischen Kompositionen Glissandi (1957) und Artikulation for Tape (1958). Ligetis Werke sind dabei &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/the-smooth.space\/blog\/revelations-offenbarungen\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;R\u00e9v\u00e9lations @ Kunstzentrum Wachsfabrik&#8221;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":1913,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"disable_featured_image":false,"footnotes":""},"categories":[53,51,65,32],"tags":[],"coauthors":[71],"class_list":["post-1911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-directsound","category-eurhythmics","category-event","category-performance"],"featured_media_urls":{"thumbnail":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--150x150.png",150,150,true],"medium":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--300x300.png",300,300,true],"medium_large":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"large":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"1536x1536":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"2048x2048":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"inspiro-featured-image":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"inspiro-loop":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--500x320.png",500,320,true],"inspiro-loop@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"portfolio_item-thumbnail":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--500x400.png",500,400,true],"portfolio_item-thumbnail@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"portfolio_item-masonry":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"portfolio_item-masonry@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"portfolio_item-thumbnail_cinema":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations--500x335.png",500,335,true],"portfolio_item-thumbnail_portrait":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"portfolio_item-thumbnail_portrait@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false],"portfolio_item-thumbnail_square":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2024\/07\/revelations-.png",500,500,false]},"_links":{"self":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/1911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/comments?post=1911"}],"version-history":[{"count":6,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/1911\/revisions"}],"predecessor-version":[{"id":1919,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/1911\/revisions\/1919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/media\/1913"}],"wp:attachment":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/media?parent=1911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/categories?post=1911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/tags?post=1911"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/coauthors?post=1911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}