{"id":2142,"date":"2023-09-05T15:23:00","date_gmt":"2023-09-05T13:23:00","guid":{"rendered":"https:\/\/the-smooth.space\/blog\/?p=2142"},"modified":"2025-01-14T15:27:24","modified_gmt":"2025-01-14T14:27:24","slug":"scores-zwischen-dokumentation-vermittlung-und-kreation-2","status":"publish","type":"post","link":"https:\/\/the-smooth.space\/blog\/scores-zwischen-dokumentation-vermittlung-und-kreation-2\/","title":{"rendered":"SCORES: Zwischen Dokumentation, Vermittlung und Kreation"},"content":{"rendered":"\n<p>This post comprises three contributions to the publication <a href=\"https:\/\/www.epodium.de\/shop\/Miriam-Althammer-Anja-K-Arend-Anna-Wieczorek-Hg-Scores-Zwischen-Dokumentation-Vermittlung-und-Kreation-p589699186\">SCORES: Zwischen Dokumentation, Vermittlung und Kreation<\/a>, edited by Miriam Althammer, Anja K. Arend and Anna Wieczorek.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:44% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"679\" height=\"1024\" src=\"https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2025\/01\/Miriam-Arend-AlthammerScores-Zwischen-Dokumentation-Vermittlung-und-Kreation-1-679x1024.jpg\" alt=\"\" class=\"wp-image-2144 size-full\" srcset=\"https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2025\/01\/Miriam-Arend-AlthammerScores-Zwischen-Dokumentation-Vermittlung-und-Kreation-1-679x1024.jpg 679w, https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2025\/01\/Miriam-Arend-AlthammerScores-Zwischen-Dokumentation-Vermittlung-und-Kreation-1-199x300.jpg 199w, https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2025\/01\/Miriam-Arend-AlthammerScores-Zwischen-Dokumentation-Vermittlung-und-Kreation-1.jpg 994w\" sizes=\"(max-width: 679px) 100vw, 679px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>This study on the artistic dance research project <em>Atlas of Smooth Spaces, Notating, Communicating and Composing Spaces in Audio- Corporeal Practices <\/em>comprises three parts by three authors, and shows a joint work on Dorothee G\u00fcnther\u2019s drawn exercise series from three different praxeological approaches. In part one Rose Breuss describes the project in brief, outlines its notation-theoretical background, and presents a series of notational compositions. <\/p>\n\n\n\n<p>In part two Dami\u00e1n Cort\u00e9s Alberti exposes praxeological procedures, using diffraction and transmediation as a research method\u2014applied in his doctoral dance research\u2014and its transfer to the artistic creations of the <em>Off Verticality Dance Company<\/em>.<\/p>\n\n\n\n<p>In part three Marcela Mariana L\u00f3pez Morales presents selected aspects of her doctoral research, which focuses on historically informed creation processes and their modes of appropriation, transformation, documentation, and re-signification in dance practices.<br><\/p>\n<\/div><\/div>\n\n\n<a href=\"https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2025\/01\/Breuss-Alberti-Lopez_Scores_DF.pdf\" class=\"pdfemb-viewer\" style=\"\" data-width=\"max\" data-height=\"max\" data-toolbar=\"bottom\" data-toolbar-fixed=\"off\">Breuss-Alberti-Lopez_Scores_DF<\/a>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post comprises three contributions to the publication SCORES: Zwischen Dokumentation, Vermittlung und Kreation, edited by Miriam Althammer, Anja K. Arend and Anna Wieczorek. This study on the artistic dance research project Atlas of Smooth Spaces, Notating, Communicating and Composing Spaces in Audio- Corporeal Practices comprises three parts by three authors, and shows a joint &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/the-smooth.space\/blog\/scores-zwischen-dokumentation-vermittlung-und-kreation-2\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;SCORES: Zwischen Dokumentation, Vermittlung und Kreation&#8221;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"disable_featured_image":false,"footnotes":""},"categories":[28,42],"tags":[],"coauthors":[71],"class_list":["post-2142","post","type-post","status-publish","format-standard","hentry","category-dance","category-publication"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/2142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/comments?post=2142"}],"version-history":[{"count":5,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/2142\/revisions"}],"predecessor-version":[{"id":2150,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/2142\/revisions\/2150"}],"wp:attachment":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/media?parent=2142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/categories?post=2142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/tags?post=2142"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/coauthors?post=2142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}