{"id":266,"date":"2923-06-25T14:55:49","date_gmt":"2923-06-25T13:55:49","guid":{"rendered":"https:\/\/the-smooth.space\/blog\/?p=266"},"modified":"2025-01-14T17:11:56","modified_gmt":"2025-01-14T16:11:56","slug":"fractal-lab","status":"publish","type":"post","link":"https:\/\/the-smooth.space\/blog\/fractal-lab\/","title":{"rendered":"Fractal Lab"},"content":{"rendered":"\n

The Fractal Lab<\/a> is rooted in the idea of an illusion of “fractal spatial qualities” created by sound oscillations, which are created by decomposing and phase-shifting musical motifs. From simpler studies for piano and recording device with compositions by \u00c9mile Jaques-Dalcroze and Klement Slavicky, a case study<\/a> developed with the self-playing piano system CEUS by B\u00f6sendorfer. The study series was structured around six brief case studies. These investigated the concept of spatiality in its different facets and lead into a cycle of short pieces titled \u2018six memos for a pianist and a self-playing piano<\/a>\u2019 after Italo Calvino’s unfinished lecture series ‘Six memos for the new Millenium’. <\/p>\n\n\n\n

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https:\/\/science.kairo.at\/physics\/fba_mandelbrot\/kap5.html<\/a><\/figcaption><\/figure>\n\n\n\n
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Here is some of the output produced in this Lab:<\/h2>\n\n\n
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Six Memos @ Porgy & Bess<\/a><\/h4><\/div>\n
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Symbiotic Spaces: dialogues between a pianist and a self-playing piano<\/a><\/h4><\/div>\n
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Six memos for a pianist and a self-playing piano – an artistic investigation of spatial phenomena with the self-playing piano system CEUS by B\u00f6sendorfer<\/a><\/h4><\/div>\n
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TesserAkt library<\/a><\/h4><\/div>\n
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Article for “Handbook Music and Motion”<\/a><\/h4><\/div>\n
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Video presentation \u201eSix Memos for a pianist and a self-playing piano\u201d @ MDW<\/a><\/h4><\/div><\/div><\/div><\/div>\t\t\t