{"id":530,"date":"2123-06-30T15:20:00","date_gmt":"2123-06-30T14:20:00","guid":{"rendered":"https:\/\/the-smooth.space\/blog\/?p=530"},"modified":"2025-01-14T16:26:31","modified_gmt":"2025-01-14T15:26:31","slug":"null-space","status":"publish","type":"post","link":"https:\/\/the-smooth.space\/blog\/null-space\/","title":{"rendered":"DANCE NULLSPACE"},"content":{"rendered":"\n
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In practice any clear and unpolluted configuration can function as a departure point. In mathematics, these departure points are called null-models and we may call the departure expressive spaces null-spaces<\/em>. <\/p>\n\n\n\n

Returning to the intensive qualities of expressive space, we recall the mantra attributed to Aristotle: The whole is more than the sum of its parts. These mores are<\/em> precisely those that cannot be explained by simple extrapolation from the parts via a reductionist approach. Those mores are<\/em> the emergent phenomena. Those qualitative mores are what we attempt to surgically extract and harvest. <\/p>\n<\/div>

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NULLSPACE DANCE study cases:<\/h2>\n\n\n\n

\\ Dance Groups<\/strong> <\/h3>\n\n\n\n

Study Materials by Rose Breuss including Jean Paul Sartres theory about practical freedom in groups. Learn More<\/a><\/p>\n\n\n\n

\\ Dancing Motoricity<\/strong><\/h3>\n\n\n\n

Dancing Motoricity of Dorothee G\u00fcnther\u00b4s Illustrations. Learn more<\/a><\/p>\n\n\n\n

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\\ Dore Hoyer Project<\/strong><\/h3>\n\n\n\n

Dance as an artistic practice is a multilayered phenomenon. In Cooperation with FAR \u2013 Fashion and Robotics. Learn more<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Here is some of the output originated in this Nullspace:<\/h2>\n\n\n
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DANCE NULLSPACE<\/a><\/h4><\/div>\n
\"Forschungsforum<\/a><\/div>\n

Forschungsforum @ ABPU<\/a><\/h4><\/div>\n
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Spherical dances<\/a><\/h4><\/div>\n
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Mit Pauken und Pal\u00e4ste<\/a><\/h4><\/div>\n
\"Vorstellung<\/a><\/div>\n

Vorstellung des PEEK-Projekts \u201eAtlas of Smooth Spaces\u201c @ Forschungsforum<\/a><\/h4><\/div>\n
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Tallis in Wonderland @ Atelierhaus (Akad. Bildende K\u00fcnste)<\/a><\/h4><\/div>\n
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SCORES | Zwischen Dokumentation, Vermittlung und Kreation<\/a><\/h4><\/div>\n
\"SCORES:<\/a><\/div>\n

SCORES: Zwischen Dokumentation, Vermittlung und Kreation<\/a><\/h4><\/div>\n
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\u201eDance Groups: Study Materials by Rose Breuss including Jean Paul Sartre\u00b4s theory about practical freedom in groups\u201c<\/a><\/h4><\/div>\n
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Dancing Motoricity of Dorothee G\u00fcnther\u00b4s Illustrations: GYMNASTISCHE GRUND\u00dcBUNGEN, NACH SYSTEM MENSENDIECK<\/a><\/h4><\/div>\n
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Dore Hoyer Project<\/a><\/h4><\/div>\n
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\u201eNOW, as I was about to\u2026.\u201c @ Br\u00fcckenfestival<\/a><\/h4><\/div>\n
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\/sp\u025cm\/ @ Linz<\/a><\/h4><\/div>\n
\"Dancers<\/a><\/div>\n

Dancers ANNUAL<\/a><\/h4><\/div>\n
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5 Pieces – Dance Cie. Off Verticality @ Brick5<\/a><\/h4><\/div>\n
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Rosenberg Dance Research Festival<\/a><\/h4><\/div>\n
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Conference on Dance Research<\/a><\/h4><\/div>\n
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Dance and Theory \u2013 Challenges and Tendencies in Teaching Theory in Dance Education. International conference Bratislava<\/a><\/h4><\/div>\n
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Desire Machine @ Schmiede Hallein<\/a><\/h4><\/div>\n
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Choreographia[Inter]Austriaca and Altenberg Trio @ Minoritenkirche<\/a><\/h4><\/div><\/div><\/div><\/div>\t\t\t