{"id":558,"date":"2023-06-30T15:13:46","date_gmt":"2023-06-30T13:13:46","guid":{"rendered":"https:\/\/the-smooth.space\/blog\/?p=558"},"modified":"2023-08-31T17:53:17","modified_gmt":"2023-08-31T15:53:17","slug":"dance-groups-study-materials-by-rose-breuss-including-jean-paul-sartres-theory-about-practical-freedom-in-groups","status":"publish","type":"post","link":"https:\/\/the-smooth.space\/blog\/dance-groups-study-materials-by-rose-breuss-including-jean-paul-sartres-theory-about-practical-freedom-in-groups\/","title":{"rendered":"\u201eDance Groups: Study Materials by Rose Breuss including Jean Paul Sartre\u00b4s theory about practical freedom in groups\u201c"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>Investigating questions for (de)constructing group routines in dance practices:<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>When are we a group? Can we not be in a group? And how?, What do we consider the mechanisms of groups?&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>See article by Gavin Rae: <a href=\"https:\/\/www.academia.edu\/1426356\/Sartre_Group_Formations_and_Practical_Freedom\">Sartre, Group Formations, and Practical Freedom&nbsp;&nbsp;<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Are we in a group if we are alone?<\/li>\n<\/ul>\n\n\n\n<p>Isadora Duncan\u00b4s Solo Dancing:&nbsp;<\/p>\n\n\n\n<p>\u201c When I have danced I have tried always to be the chorus [\u2026] I have never once danced a solo\u201d&nbsp;<\/p>\n\n\n\n<p>Duncan, Isadora. 1928. <em>The Art of Dance. <\/em>New York: Theatre Arts, 96<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>What are the specificities of dancing in a group?&nbsp; A case study about Entrainment \u2013 <em>DUO<\/em> by W. Forsythe<\/li>\n<\/ul>\n\n\n\n<p>\u201eBildlich gesprochen kann man sich die Choreographie von DUO als komponiert aus einem Gewebe von Bewegung vorstellen \u2013 Bewegung nicht zweier einzelner K\u00f6rper, sondern zwischen zwei Menschen. Dieses Gewebe besteht aus verschiedenen entrainment Verfahren: Unisono, Turn-Taking (der eine T\u00e4nzer bewegt sich, w\u00e4hrend der andere darauf wartet, wieder in die gemeinsame Bewegung einzutreten), Pausen und Kontrapunkt (rhythmisch verbundenes Tanzen zwischen Partnern)\u201c&nbsp;<\/p>\n\n\n\n<p>&#8220;Figuratively speaking, one can imagine the choreography of DUO as composed of a fabric of movement &#8211; movement not of two individual bodies, but between two people. This fabric consists of various entrainment processes: Unison, turn-taking (one dancer moves while the other waits to re-enter the shared movement), pauses and counterpoint (rhythmically linked dancing between partners).&#8221; (translated by R.B.)<\/p>\n\n\n\n<p>Waterhouse, Elisabeth: <em>Entrainment und das zeitgen\u00f6ssische Ballett von William Forsythe<\/em>, 215. in: (De)Synchronisieren? Leben im Plural<\/p>\n\n\n\n<p>Gabriele Brandstetter\/Kai van Eikels\/Anne Schuh (Hg). 2017. Hannover: Wehrhan<\/p>\n\n\n\n<p>See Link: <a href=\"https:\/\/vimeo.com\/129452626\">Ballet de Lorraine<\/a><\/p>\n\n\n\n<p>see also:&nbsp;<\/p>\n\n\n\n<p>Sparshott, Francis. 1995. <em>A Measured Pace, Towards a Philosophical Understanding of the Arts of Dance,<\/em> Toronto: University of Toronto Press, 183-201.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>What do we consider the specificities of choreographing a group? A historiographical case study, with emphasis on relatively \u201corphaned\u201d dance histories:&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>Sascha Leontiew \u2013 fotographs<\/p>\n\n\n\n<p><strong><br><\/strong>Alexander Leontjew<\/p>\n\n\n\n<p><em>Born 12.6.1897 in R\u012bga<\/em><em><br><\/em><em>Died 24.8.1942 in Mauthausen<\/em><\/p>\n\n\n\n<p>Was a Russian dancer and choreographer, ballet master at Vienna State Opera<\/p>\n\n\n\n<p><a href=\"https:\/\/books.google.at\/books?id=N8f_bKK2fnEC&amp;pg=PA46&amp;lpg=PA46&amp;dq=Sascha+Leontieff&amp;source=bl&amp;ots=9M7UTTmzYd&amp;sig=ACfU3U1fPE5pfN5Uh95MbXBWSwISrQScKg&amp;hl=de&amp;sa=X&amp;ved=2ahUKEwjV3Zir6tf5AhUGh_0HHR68DdAQ6AF6BAgDEAM#v=onepage&amp;q=Sascha%20Leontieff&amp;f=false\">Link 1<\/a>    <a href=\"https:\/\/books.google.at\/books?id=PmfO2l7sI14C&amp;pg=PA742&amp;lpg=PA742&amp;dq=sascha+Leontiew&amp;source=bl&amp;ots=PDKNFCy5am&amp;sig=ACfU3U2e6CS3TmqYZxhl-6cfsm2Weh7BDA&amp;hl=de&amp;sa=X&amp;ved=2ahUKEwj9z-zy7df5AhV9nf0HHXsdAqUQ6AF6BAgQEAM#v=onepage&amp;q=sascha%20Leontiew&amp;f=false\">Link 2<\/a>  <a href=\"https:\/\/sammlung.wienmuseum.at\/objekt\/480255-die-last-schule-sascha-leontjew\/\">Link 3<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=RDGl6bcVqSM\">Bronislava Nijinska \u2013 \u201cLes Noces\u201d&nbsp;, Marinsky Ballet<\/a><\/p>\n\n\n\n<p>Dorothee G\u00fcnther \u2013 group fotographs&nbsp;, Orff Zentrum M\u00fcnchen<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=_3jCe5aJcT0\">Gertrud Bodenwieser \u2013 Sunset <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>See article by Gavin Rae: Sartre, Group Formations, and Practical Freedom&nbsp;&nbsp; Isadora Duncan\u00b4s Solo Dancing:&nbsp; \u201c When I have danced I have tried always to be the chorus [\u2026] I have never once danced a solo\u201d&nbsp; Duncan, Isadora. 1928. The Art of Dance. New York: Theatre Arts, 96 \u201eBildlich gesprochen kann man sich die Choreographie &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/the-smooth.space\/blog\/dance-groups-study-materials-by-rose-breuss-including-jean-paul-sartres-theory-about-practical-freedom-in-groups\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;\u201eDance Groups: Study Materials by Rose Breuss including Jean Paul Sartre\u00b4s theory about practical freedom in groups\u201c&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":1695,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"disable_featured_image":false,"footnotes":""},"categories":[28],"tags":[],"coauthors":[74,72],"class_list":["post-558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance"],"featured_media_urls":{"thumbnail":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null-150x150.png",150,150,true],"medium":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null-300x300.png",300,300,true],"medium_large":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"large":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"1536x1536":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"2048x2048":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"inspiro-featured-image":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"inspiro-loop":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null-500x320.png",500,320,true],"inspiro-loop@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"portfolio_item-thumbnail":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null-500x400.png",500,400,true],"portfolio_item-thumbnail@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"portfolio_item-masonry":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"portfolio_item-masonry@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"portfolio_item-thumbnail_cinema":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null-500x335.png",500,335,true],"portfolio_item-thumbnail_portrait":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"portfolio_item-thumbnail_portrait@2x":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false],"portfolio_item-thumbnail_square":["https:\/\/the-smooth.space\/blog\/wp-content\/uploads\/2023\/06\/groups-null.png",500,500,false]},"_links":{"self":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/comments?post=558"}],"version-history":[{"count":2,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/558\/revisions"}],"predecessor-version":[{"id":1398,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/posts\/558\/revisions\/1398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/media\/1695"}],"wp:attachment":[{"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/media?parent=558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/categories?post=558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/tags?post=558"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/the-smooth.space\/blog\/wp-json\/wp\/v2\/coauthors?post=558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}