This post comprises three contributions to the publication SCORES: Zwischen Dokumentation, Vermittlung und Kreation, edited by Miriam Althammer, Anja K. Arend and Anna Wieczorek.
This study on the artistic dance research project Atlas of Smooth Spaces, Notating, Communicating and Composing Spaces in Audio- Corporeal Practices comprises three parts by three authors, and shows a joint work on Dorothee Günther’s drawn exercise series from three different praxeological approaches. In part one Rose Breuss describes the project in brief, outlines its notation-theoretical background, and presents a series of notational compositions.
In part two Damián Cortés Alberti exposes praxeological procedures, using diffraction and transmediation as a research method—applied in his doctoral dance research—and its transfer to the artistic creations of the Off Verticality Dance Company.
In part three Marcela Mariana López Morales presents selected aspects of her doctoral research, which focuses on historically informed creation processes and their modes of appropriation, transformation, documentation, and re-signification in dance practices.