In Zusammenarbeit mit dem Resident Music Collective (RCU) und dem Humboldt Forum Berlin erforschen wir in diesem transmedialen Konzertexperiment die Nutzung von Raum, Projektion und interaktiven Installationen, um das Engagement und die Beteiligung des Publikums zu fördern.
Where: Humboldt Forum Berlin
When: 2024-03-28,30,31
Who: Hanne Pilgrim, Adrián Artacho, Rose Breus, Junjian Wang.
An experimental serie for Pianist (Hanne Pilgrim) and self-player Piano (Bösendorfer CEUS) that explores the spaces between the performer, the instrument and everything around them.
Where: Porgy & Bess / Strengen Kammer
When: 2023-11-13
Who: Hanne Pilgrim, Adrián Artacho, Markus Kupferblum, Leonhard Horstmeyer.
Tallis in Wonderland ist ein [Un]möglichkeitsraum, den der Chorus Sine Nomine zusammen mit Tänzerinnen, einer PianistinPerformerin, Filmtonangler*innen, einem Live-Elektroniker, einem Lichtkünstler und einem Mathematiker betritt. Im Atelierhaus der Akademie der bildenden Künste berühren sich im ‘Wunderland’ audio-korporale Räume aus der Renaissance und dem Hier-und-Jetzt. Thomas Tallis’ 40-stimmige Motette “Spem in alium” prägt den Abend mit einem Appell zur Hoffnung. Hier spannt sich ein Raum der Extreme auf, in der die Hoffnung in einer Bewegung zwischen diesen Extremen und einer Elevation aus der Niedrigkeit vermutet wird. Eine solche Bewegung deutet der Tanz als Schwung. Er ist ein aus der Fallenergie entstehendes Raumgebilde. Tallis in Wonderland hinterfragt, wie es in der Gegenwart möglich ist, aus dem Pendeln zwischen Fall und Elevation Hoffnung zu generieren? Und was würde das weiße Kaninchen dazu sagen?
Where: Atelierhaus der Akademie der bildende Künste Wien
When: 2023-10-08, 18:00h
Who: Johannes Hiemetsberger, Adrián Artacho, Hanne Pilgrim, Rose Breuss, Leonhard Horstmeyer, Mariia Shurkhal, Damián Cortés Alberti, Marcela López Morales, Žiga Jereb, Eszter Petrány, Boglárka Heim, William Edouard Franck und Chorus Sine Nomine
Image by: Adrián Artacho
Mut – jede stimme zählt is a participative choir performance designed to blur the lines between performers and audience. The piece is written for an 8-part choir (regardless of voice pitch), which should be roughly equal in size and distributed in the areas where the audience is located. The ninth voice is intended for the audience itself, who can also participate via their smartphones.
Where: Volkstheater Wien
When: 2023-05-21, 18h
Image by: Johannes Hiemetsberger
In the performance „NOW, as I was about to….“, 4 dancers, 10 singers, 1 choir conductor, 1 pianistperformer, 1 composerlive-electronicist and 1 complexity scientist*performer create moments of the present. The swinging, falling, tilting, catching, circling, searching, flowing in, around, through and in the NOW manifests itself in audio-corporeal spaces – near and far, dense and porous, interrupted and continuous, eternal and fleeting….
Where: Brückenfestival Wienerwald, Eichgraben (Austria)
When: 2023-05-06, 20h
Who: Rose Breuss, Kai Chun Chuang, Damian Cortés ALberti, Johannes Hiemetsberger, Leonhard Horstmeyer, Marcela López Morales, Mariia Shurkhal, Adrián Artacho, Hanne Pilgrim and Company Of Music
Photo by: Raino Rapottnig
TANZ AM FLUSS Aus der Serie Strich/Figuren I-IV der Cie. Of(f) Verticality
Where: Stadtpfarrkirche Urfahr, 4040 Linz (A)
When: 2023-01-24, 19h
Who: Rose Breuss, Leonhard Horstmeyer, Adrián Artacho, Hanne Pilgrim and Students of the ABPU.
Image by: Brick5
Dance Cie. Off Verticality was founded in 2009 and draws on orphaned yet fascinating archival and notational material from past and present dances to inspire its choreographic movement inventions. Research-oriented working methods situate the ensemble beyond conventional production practices. Damián Cortés Alberti, Rose Breuss, Kai Chun Chuang, Boglárka Heim, Žiga Jereb, Julia Mach, Marcela López Morales, Eszter Petrány and Maria Shurkhal present five excerpts from their dance repertoire. The pianist Johannes Marian enriches the programme. The work of the Dance Cie. Off Verticality is supported by, among others, the Province of Upper Austria, the City of Linz and the FWF-PEEK project Atlas of Smooth Spaces.
Where: Brick5 (ehemalige Turnhalle)
When: 2022-11-01, 19:00h
Who: Rose Breuss, Damián Cortés Alberti, Marcela López Morales, Mariia Shurkhal, Kai Chun Chuang
Collage from video Stills from Markus Kupferblum
The composition “Six memos for a pianist and a self-playing piano” emerged from a peer-to-peer interaction between Adrián Artacho and Hanne Pilgrim with the self-playing piano “CEUS” by Bösendorfer as case study on the null space of Eurhythmics. Markus Kupferblum developed a cinematic concept for the six co-created compositions by Adrián Artacho and Hanne Pilgrim.
Where: University of Music and Performing Arts Vienna
When: 2022-10-01, 20h
Image by: Mariia Shurkhal/Adrián Artacho
Desire Machine – An artistic exploration of the performative space during Schmiede Hallein 2022
Where: Schmiede Hallein (Hallein, Austria)
When: 2023-09-15, 19h
Image by: Hanne Pilgrim
The great motets as a spiritual map: Chorus sine nomine and Simon Oberleitner wander through Bruckner’s choral music in space and time.
Where: Wien, Atelierhaus der Akademie der bildenden Künste Wien (ehem. Semperdepot)
When: 2022-05-22, 19:30h
Who: Johannes Hiemetsberger, Sara Glanzer, Hanne Pilgrim, William Edourard Frank
Photo by: Constantin Georgescu
Performance of the company Cie. Verticality at the Minoritenkirche in Wels, together with the Altenberg Trio.
Where: Minoritenkirche, Minoritenplatz 3, Wels. Stadtpfarre Urfahr, Linz
When: 2021-11-11, 19:30h
Photo by: Ars Electronica
Performance together with the choir Company Of Music at the Ars Electronica 2021.
Where: Ars Electronica, Linz
When: 2021-10-11
Who: Adrián Artacho, Hanne Pilgrim, Johannes Hiemetsberger and Company Of Music